how these designers custom-made the identical sideboard alternative ways

how these designers custom-made the identical sideboard alternative ways

At Excessive Level Market this October, designers Kati Curtis, John Bossard and Kelly Finley gamely embraced a problem set forth by lighting, furnishings and decor firm Wildwood. Their task? Create an area within the model’s showroom that includes its beveled sideboard—one in all a number of gadgets from its Choose assortment that may be custom-painted at its North Carolina services in any of Benjamin Moore’s 3,500-plus colours. Lighting and equipment had been all sourced from Wildwood’s big selection of dwelling decor gadgets as properly. The ensuing vignettes had been as stunning and spectacular because the three abilities themselves. Reflecting on the expertise, they described their particular person approaches to incorporating colour into their initiatives.

refined periwinkle

Kati Curtis, Kati Curtis Design, New York

how these designers custom-made the identical sideboard alternative ways

Designer Kati Curtis selected Benjamin Moore Flower Field because the {custom} colour for her Wildwood beveled sideboard.

Courtesy of Bert Vanderveen

As somebody who generally appears like I’m combating the all-white farmhouse development that has been so robust for the previous 10 years, this partnership with Wildwood opened up so many potentialities. For the beveled sideboard, I selected Benjamin Moore Flower Field: It’s an awesome periwinkle blue that goes a bit of purple however remains to be heat, and has simply sufficient grey to provide it a stage of sophistication so it doesn’t look juvenile.

The apparent placement for the sideboard could be in a eating room, to retailer glassware and dishes, however I might additionally use it in an entry corridor, or as a behind-the-sofa desk in a front room, and even in a bed room—anyplace you’d put a case piece. The sturdiness of Wildwood’s painted furnishings makes them versatile and enjoyable.

To design my vignette, I drew inspiration from the wallcovering I chosen from Calico Wallpaper, an incredible native firm. Together with the chandelier, that was my start line. The sample takes up the entire wall like a mural, with stunning pastel waves radiating out from behind the sideboard, making it the star of the show. To intensify the cupboard {hardware}, I needed to weave in additional gold, however not go too blingy, both. There are gold flecks within the Murano-style art-glass globes of the Aiden chandelier, whose “exploding” form echoes the sample within the wallpaper and within the plated-brass framing of the massive Lorna mirror as properly.

It’s essential to me that every thing doesn’t look new in my work—that there’s a bit of patina to my designs. The whitewashed wicker Savannah chairs with the skirted seats are paying homage to a Paris flea market discover. Together with the classic rug, they offer an old-world high quality to the house, whereas the pair of Vietri desk lamps and the Lerdorf ornamental vases nod to brutalism.

It was such a deal with to be again at Market this October, and so enlightening to talk on Enterprise of House’s panel with like-minded colleagues who love colour simply as a lot as I do. To listen to Kelly’s and John’s views on how they developed their designs was so attention-grabbing, as a result of we every had a special strategy. I’d at all times considered Wildwood as a lamp firm firstly, and between the chandelier, the mirror and the semi-gloss end of the sideboard, reflectivity knowledgeable my vignette. I additionally recognize that loads of Wildwood’s items reference the previous whereas nonetheless being fairly modern. Designing the vignette gave me the chance to mirror on all that—no pun meant.

3 pros, 1 piece, 3,500 shades of paint: how these designers customized the same sideboard different ways

The pastel waves of the wallcovering appeared to radiate from the sideboard, making it the star of the show in Curtis’ refined vignette.

Courtesy of Bert Vanderveen

Gentleman’s Aubergine

John Bossard, John Bossard Interiors, Atlanta

3 pros, 1 piece, 3,500 shades of paint: how these designers customized the same sideboard different ways

On a panel hosted by Wildwood and Enterprise of House at Excessive Level Market, designer John Bossard spoke about his distinct strategy to paint.

Courtesy of Bert Vanderveen

My design was darkish and wealthy—a Twenties-meets–Studio 54 gentleman’s lounge. I drew from masculine and European influences, decorators from the previous: Van Day Truex, Billy Baldwin, Billy Haynes. Albert Hadley, Paul Williams, David Adler. And Philip Shutze, in fact—I dwell in Atlanta, so I can’t neglect about him! That was the arc of the aesthetic, to convey a little bit of modernity to a conventional house, as a result of I’ve a classicist background, however I definitely like drama.

On the very starting, I believed I would need to do one thing with black lacquer. Then, after I took a better take a look at the Wildwood sideboard, I registered the {hardware}. It has a textural midcentury high quality to it. I really like a backplate. It makes an enormous distinction in how the {hardware} interacts with the furnishings. I discovered it very good-looking, and it prompted me to rethink my colour course. However to what?

Basalt, Wedgwood’s ebony stoneware from the Regency period that’s nearly black, however not black, is one in all my favourite issues. Benjamin Moore Darkish Basalt reinterprets the colour with a purple solid. I made a decision on that for the sideboard, then constructed a colour story round it with the turquoise woven wallcovering from Phillip Jeffries and the orange Pindler drapes.

Grass fabric is a signature materials of mine, for its tactility, and it was essential to me to include material components to melt the house. However this wallcovering is virtually lacquered. It’s bought a sheen to it, in comparison with plain grass fabric, which might be on the drier facet. The glint of the wallcovering is juxtaposed with the just about color-absorbing impact of the wool drapes, and on the very high, plum-toned tape acts as punctuation, principally saying, “The wall ends right here,” whereas additionally referencing the darker purple of the sideboard.

With that backdrop established, the equipment virtually crammed themselves in. The beveled pedestal, Beverly Grove lounge chair and Boulevardier bar cart inject the lacquered black of my preliminary idea into the vignette, whereas the Estes facet desk, Lucius mirror, Hudson lamps, and Diego chandelier and sconces add gleaming gold leaf and vintage brass accents all through.

The expertise at Excessive Level was so optimistic that I’m already planning to incorporate Wildwood Choose items in future initiatives. For a coastal residence in North Carolina, on an étagère for towels and toiletries within the toilet, I’m utilizing Benjamin Moore Newburyport Blue, which can distinction properly with the Iced Dice Silver partitions. By means of colour, painted furnishings lets you add such a way of dimensionality to a design.

3 pros, 1 piece, 3,500 shades of paint: how these designers customized the same sideboard different ways

The brass of the knobs and backplates on the sideboard, painted Benjamin Moore Darkish Basalt, are accentuated by the desk lamps, mirror and lighting fixtures in Bossard’s good-looking vignette.

Courtesy of Bert Vanderveen

moody blue with vibrant teal

Kelly Finley, Pleasure Road Design, Oakland, California

3 pros, 1 piece, 3,500 shades of paint: how these designers customized the same sideboard different ways

Designer Kelly Finley expertly addressed viewers questions on the right way to incorporate colour into interiors.

Courtesy of Bert Vanderveen

My 9-year-old daughter needs every thing in her bed room to be teal proper now, which grew to become my inspiration, though the house I designed for Excessive Level is far more grown-up—a luxe, moody tackle an after-hours she shed. I started with Benjamin Moore Tropical Teal on the cupboard fronts of Wildwood’s beveled sideboard, framed by Daring Blue. Towards the darker blue, which I prolonged to the wall behind the piece to additional envelop it, the teal actually pops, particularly with the addition of the brass {hardware}.

I used to be enchanted by the crystal blossoms and faceted beads of the Lolita chandelier, however the proportions of a single pendant weren’t large enough to anchor the vignette. Clustering three at totally different heights attracts the eye, and their lustrous nature invokes the concept of sipping a late nightcap of glowing champagne.

The spheres of the chandeliers, the spherical brass shields of the Dovi sconces and the marginally off-center pair of elongated octagonal Dunbar mirrors all serve to showcase the sideboard, which is such a powerful, linear piece. The Isle of Palms lounge chairs have clear strains as properly, and a midcentury speakeasy really feel. As a result of there’s a lot darkish blue and brass in my vignette, I needed some wooden tones and woven cane to melt all of it up—every thing can’t be excessive. Together with the cane of the mirror body and Vieux Carre bar cart, the chairs introduce natural texture into the design.

Saturating the room in that deep blue gave me the flexibleness to do nearly something I needed. The equipment might be brighter and bolder. Towards the impartial of darkish blue, each different colour—the teal cupboard fronts, the coral ornamental packing containers, the wooden of the lounge chairs—stands out in a approach that, if the wall had been white as a substitute, wouldn’t really feel as refined or considerate.

Except you go absolutely {custom}, which isn’t at all times sensible for the house or the finances, you’re typically relegated to wooden or white furnishings. That’s why the choices from Wildwood Choose are proper up my alley. My agency has already specified items for a few children’ rooms and a vibrant orange credenza for a eating space. It’s humorous—after I first began engaged on my Excessive Level vignette, it by no means even occurred to me to color the sideboard only one shade. I’m at all times going to say, “Ooh, let’s use all the colours!”

3 pros, 1 piece, 3,500 shades of paint: how these designers customized the same sideboard different ways

After framing her Wildwood beveled sideboard in Benjamin Moore Daring Blue, Finley prolonged the colour to the partitions, enveloping her vignette within the moody hue.

Courtesy of Bert Vanderveen

This story is a paid promotion and was created in partnership with Wildwood.

Homepage picture: Designer Kelly Finley paired Benjamin Moore Tropical Teal cupboard fronts with Daring Blue framing on the beveled sideboard featured in her vignette for Wildwood Choose at this fall’s Excessive Level Market. | Courtesy of Bert Vanderveen

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