The First Exhibition of JB Blunk’s Jewellery, at Kasmin Gallery in New York, Presents an Intimate Look Into the Late Sculptor’s World

The First Exhibition of JB Blunk’s Jewellery, at Kasmin Gallery in New York, Presents an Intimate Look Into the Late Sculptor’s World

The late multidisciplinary artist JB Blunk is greatest identified for his revolutionary wooden sculptures and furnishings, two classes he usually fused. Now Blunk’s jewellery is on show for the primary time, at Kasmin Gallery in New York, framed by work, ceramics, and sculptures that span his prolific profession. 

Blunk lived the lifetime of an artist. Lots of his designs had been made to be interacted with, sat on, drunk from, lived in, and—within the case of his jewellery—worn. Now, at Kasmin, a few of the jewellery items are on the market, ranging in value from $1,000 to $18,000.

The First Exhibition of JB Blunk’s Jewellery, at Kasmin Gallery in New York, Presents an Intimate Look Into the Late Sculptor’s World

Exhibition view. Courtesy of Kasmin Gallery.

JB Blunk started making jewellery within the Nineteen Fifties and continued late into his follow, though most of the items weren’t designed to be displayed past adorning his family members. Blunk handcrafted the vast majority of the earrings, necklaces, bracelets, rings, and equipment on show for his associate and muse, Christine Nielson, in addition to for household and mates.

Blunk usually made jewellery to check out ideas for his sculptures. “The jewellery, particularly the bracelets and the rings, actually are maquettes for bigger works,” Blunk’s daughter Mariah Nielson—Director of the JB Blunk Property who co-curated the exhibition with Kasmin—advised Artnet Information. “They had been alternatives for JB to discover concepts on a really small scale. It was a fast and simple method of working by way of an concept or growing a type.”

He traveled extensively all through his life and picked up valuable stones and gems as mementos that he later become jewellery. A triad of three earth-toned earrings within the exhibition had been constructed from coral and shells that Blunk introduced residence from the seashores of Mexico, giving them an intimate and natural high quality. 

Little Mans (1954). Courtesy of Kasmin Gallery.

A lot of Blunk’s jewellery has a sculptural high quality to it that echoes his wider identified physique of labor. In one among his early necklaces, the aptly titled Little Mans (1954), a silver and amethyst pendant rests atop an animated clay physique. The pendant connects to skinny leather-based strips with what appear like tiny outstretched arms. 

Blunk discovered pleasure and enlightenment in his work. Regardless of how large or small, he used his palms to sculpt fluid types out of natural materials. He famously labored with massive items of salvaged redwood that had been washed up alongside the Northern California coast or discarded by loggers.

Blunk’s magnum opus is his handmade wooden residence in Inverness, Calif., that holds numerous ceramics, tables, chairs and sculptures he made throughout his lifetime. He was a pioneer of the countercultural back-to-the-land motion of the Nineteen Sixties and 70s, when younger disenfranchised People relocated to nature to construct houses and communal farms away from city life. He lived and labored from the home for the rest of his life, drawing inspiration from the pure surroundings. 

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